Trevor Brown and the real life or pacifier and barbed wire

pacifier and barbed wireI made this photo in the German Alps in March. This image reminds me some Trevor Brown‘s works. Look at, for example, the studded latex pacifier (see this article).

Usually (like many subjects of Trevor’s art), pacifiers and barbed wire “do not mix”. The “public opinion” would immediately associate such a mix with violence, cruelty or even paedophilia, etc.

But, as you an see, nothing can be more innocent that the story behind the photo. A baby lost his or her pacifier. And a kind human found it and put it in the most visible place. The barbed wire guards either the private property or a piece of forest without foot paths.

Kids in latex, enfant terrible or Trevor Brown. Part II

latex bondage kid and teddySee Part I

As I promised in the first part, I published my favourite drawing (along with 30 more below). The drawing on the left was the first Trevor’s work I’ve ever seen. And I was immediately bought by this fantastically cute, aesthetic, harmonic and surprisingly realistic combination of things (like bondage, innocence, latex, teddy bear, young girl, etc) never ever combinable in the real world. I immediately fell in love with this picture and started my investigation towards the origin.

Continue reading “Kids in latex, enfant terrible or Trevor Brown. Part II”

Kids in latex, enfant terrible or Trevor Brown. Part I

Trevor Brown - fetish art - penis pixie Probably it was mostly the disturbing but yet rather attractive and erotic images of kids in latex, kids in bondage, kids playing bondage games with their toys, bruises and cuts, tortured dolls, “sinister innocence” and “paedophilia-paranoia which crossed the border of thought crime” what caused Trevor Brown to move to Japan. Though Japan always attracted him. Even for the Eastern people Japan looks like a separate planet, let alone people from the West.

The “general audience” finds his images shocking, Continue reading “Kids in latex, enfant terrible or Trevor Brown. Part I”